Toh Yan Ee (b.2000) is a Singaporean composer whose music fuses elements of spontaneity and organicity. Yan Ee’s music deals with dichotomies within nature - both the phenomena of our physical world, as well as the nature of things. Her works explore gestures through the amalgamation and morphing of timbres and harmonies.

Yan Ee has worked with RIOT Ensemble, TACET(i) Ensemble, CHROMA, b-l duo, Orkest de Ereprijs, Salastina, Les Percussions de Strasbourg, Quartetto Maurice, ensemble chromoson, Ensemble Kochi, Singapore Chinese Orchestra, and NOISE Ensemble, amongst others. She has presented her music at festivals such as MATA Festival (US), St. Petersburg International New Music Festival (RU), Young Composers Meeting (NL), New Music on the Bayou (US), soundON Festival (US), IntAct Symposium (TH), Research on Contemporary Composition Conference (US), YST Young Composers Academy (SG), SCO Composer Workshops (SG), and Young Composers Forum (SG).

Yan Ee was awarded Winner of the Boston New Music Initiative Young Composer Competition, Concertia Emerging Composers Fellowship, Runner-Up Prizes at the Black Bayou Composition Award and International Composition Institute of Thailand, Special Mention at AMAT Women Composers Competition, and Diploma at the New Music Generation International Composer Competition.

A graduate of the Yong Siew Toh Conservatory of Music under the tutelage of Ho Chee Kong and Adeline Wong, Yan Ee is currently pursuing a Master of Music at the Royal Academy of Music (London), studying with David Sawer. Recent projects include Imposters, a mini-opera with text by Noah McCreadie.

Besides composing, Yan Ee is a pianist, chorister, and arranger. She is also interested in arts management, eager to explore the curation and marketing of projects in the arts.